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Unto Death by Amos Oz
Paperback: ISBN: 1-59264-037-0 Pages: 150 8½"x5½" US$ 12.95 Publication date: September 2003
From Crusade
It all began with outbreaks of discontent in the villages.
Day by day bad omens began to appear in the poorer areas. An
old farmer of Galland saw the form of a fiery chariot in the sky. In
Sareaux an ignorant old woman croaked out oracles couched in the
purest Latin. Rumors went around of a cross in an out-of-the-way
church which burned for three days with a green flame and was not
consumed. Our Lady appeared to a blind peasant beside a fountain
one night, and when the priests fed him wine he described the vision
in scriptural language.
The faithful seemed to detect a kind of malicious joy fermenting
throughout the winter in the dwellings of the accursed Jews.
Strange things happened. Bands of dark wanderers, huge
and black as bears, appeared simultaneously in several places. Even
educated folk could sense at times a murmur gnawing inside them.
There was no peace to be had.
In Clermont, in the year of the Incarnation of Our Lord Jesus Christ
1095, Pope Urban II summoned the flocks of God to an expedition to
liberate the Holy Land from the hands of the infidel, and to expiate
their sins through the hardships of the journey — for spiritual joy is
achieved through suffering.
Early in the autumn of the following year, four days after the end
of the vintage, the noble Count Guillaume of Touron set out at the
head of a small troop of peasants, serfs, and outlaws from his estate
near Avignon and headed toward the Holy Land, to take part in its
deliverance and so to find peace of mind.
Besides the blight which had afflicted the vines and the shriveling
of the grapes, and besides gigantic debts, there were other, more
immediate reasons which moved the noble Count to set out on his
journey. We are informed of these in the chronicle of an extraordinary
young man who himself took part in the expedition, Claude,
nicknamed ‘Crookback.’ He was a distant relative of the Count and
had grown up on his estate.
This Claude was perhaps the adoptive heir of the childless
Count, perhaps a mere hanger-on. He was literate and almost cultivated,
though prone to violently alternating fits of depression and
enthusiasm. He would give himself over by turns, restlessly and
without any real satisfaction, to ascetic practices and to the delights
of the flesh. He was a great believer in the power of the supernatural:
he kept company with half-wits, fancying he found in them a holy
spark, and much-thumbed books and peasant women alike fired
him with a wild desire. His excesses of religious fervor and gloomy
melancholy inspired feelings of contempt and loathing in others and
consumed the very flesh from off his bones, kindling an evil flame
in his eye.
As for the Count, he treated Claude Crookback with sullen
toleration and ill-suppressed rudeness. Some uncertainty, in fact,
prevailed at court about the status and privileges of this young but
silver-haired fellow who had, apart from everything else, a violent
and ridiculous love of cats and who was a passionate collector of
women’s jewelry.
Claude mentions in his chronicle, among the factors which prompted
the Count to set out on his journey, certain events which occurred
in swift succession in the course of the preceding year. ‘At the beginning
of the spring,’ he writes, ‘in the year of Our Lord’s Incarnation
1096, the sin of arrogance raised its head among the peasantry. There
occurred on our estate several cases of insolence and insubordination,
such as the destruction of part of the meager crop, motivated by
anger at its very meagerness; daggers were stolen, the river flooded,
barns were fired, falling stars were seen, sorcery was practiced, and
mischievous pranks were played. All this within the confines of our
domain, apart from numerous crimes in the neighboring districts
and even across the river. Indeed, it was found necessary to oil the
torture wheel once again, and to put to the test several rebellious
serfs, so as to quell the rising fever of violence, for suffering begets
love. On our estate seven peasants and four witches were put to
death. In the course of their torture their crimes came to light, and
light purges all sin.
‘In addition, during the spring our young mistress Louise of
Beaumont showed the first signs of falling sickness, the very disease
which had carried off her predecessor two years earlier.
‘On Easter Day the Count carried his drinking beyond all
reasonable limits, and on this occasion he did not succeed in soaring
above the state of tipsy rage to the heights of drunken joy. There
occurred episodes,’ continues the chronicler in a rather veiled tone,
‘such as what happened that night, when the Count smashed six
valuable drinking vessels, family heirlooms; he hurled these gorgeous
objects at the servingmen in reprisal for some fault whose nature
was not clear. Injuries were done; blood was spilt. The Count made
reparation for his error with constant silent prayers and fasting, but
the fragments of the shattered goblets could not be pieced together—I
have them all in my keeping still. What is done is done, and there
is no going back.’
Claude also writes as follows:
‘In the early days of the summer, in the course of the barley
harvest, the Jewish agent fell under suspicion. He was put to death in
consequence of his fervent protestations of innocence. The spectacle
of the burning of the Jew might have served to dispel somewhat the
anxiety and depression which had caught hold of us since the spring,
but it so happened that the Jew, as he was being burnt, succeeded
in upsetting everything by pronouncing a violent Jewish curse on
Count Guillaume from the pyre. This terrible event occurred in the
presence of the whole household, from the ailing lady down to the
most ignorant servant girls. Obviously it was impossible to punish
the wretch for his curses: it is in the nature of these Jews to burn
only once.
‘In the course of the summer our lady’s condition grew worse
and she began fading toward death. Without grace even love is of
no avail. It was a pitiful spectacle. So grievous were her agonies, so
loud her screams in the night, that the Count was finally compelled
to shut up in the tower the most delicate of the flowers of his garden.
Therefore was the Son of God meek and mild when He bore our
sufferings upon Himself, that we might know and remember that
the finest harvest of all is this, when the harsh scythe bites into the
tenderest crop in God’s world, and this was a sign for us. By night,
by day, and by night the Count gave orders for vigils of prayer by
the cell of our ailing lady.
‘Our lady was young in years and her pale face seemed ever
filled with wonder. Her limbs were delicate and she seemed completely
transparent, as if made of spirit, not of base matter. She floated away
downstream from us before our very eyes. Sometimes we could hear
her voice raised in song; sometimes we secretly gathered up her tearsoaked
handkerchief, and in the small hours of the morning we heard
her cry out to the Blessed Virgin. Then her silence would rend the
air. These days saw a severe deterioration in the affairs of the estate.
The creditors were arming themselves, and even the peasantry nursed
a muttering rebelliousness.
‘All speech was hushed in our halls. So frail and white-faced did
our lady appear that, kneeling at the foot of the cross, she seemed to us
like Our Lady Herself. She was flickering and dying away. Meanwhile
the Count withdrew into silence, and merely kept on buying more
and more fine horses — far in excess of the needs of the fields and
vineyards. He paid for them with parcels of woodland and orchards,
since the money we had borrowed was being steadily eaten up.
‘Early one morning our lady suddenly heard the gentle sound of
the bells of the village church. She put her golden head out through
the lattice, and when the sun rose she was found gathered into the
bosom of the Saviour. I still keep her sandals in the chest in my room,
together with two tiny bracelets and a green cross of pearls which she
wore round her neck, a gorgeous object.’
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